This logo was created for a personal genetic profiling company. It is a fluid identity that changes both in color and in orientation of the lozenges. Different portions of the corporation can have their own logo while being integrated in a company-wide identity system. It is also malleable for both packaging and motion graphics.
Agency: MetaDesign
Creative Director: Matt Rolandson
Simple substitution of a pistol for the 'r' has become a cultural icon. This has since been parodied by comedy programs such as 'The Simpsons,' and used in many look-alike logos.
Agency: Frankfurt Balkind
Creative Director: Brett Wickens
I was contracted by the entertainment design agency Leroy & Rose to make various logos for the Pixar movie Onward. One of the designs I made was chosen to be the movie's logo. The first is the version that I turned in.
The second is the rendered version that Leroy & Rose made that is used on all the promotional materials associated with the film. You can see that they made some adjustments to the letterforms, like moving the baseline of the D.
Agency: Leroy & Rose
Creative Director: Melchior Lamy
I was commissioned by Leroy & Rose to make the logo and some key art for the Apple TV+ series Masters of the Air (the third installment of the Band of Brothers trilogy). Relatively early in the process Apple leaned into a logo that had custom lettering, which eventually became a font that I made for them called Flying Fortress. You can see that the S became slightly different over the development of the typeface.
Creative Director: Jon Manheim
The Devil Wears Prada wanted a new logo, easily recognizable from a distance that would work well as a tattoo. The initial brief discussed creating a corporate type of mark, to "brand" them. This sparked the idea of making it a quite literally brand, so I took my cues from cattle brands.
I designed the logo for the totalitarian, stealth / survival video game Republique.
Agency: Logan
Creative Director: Alexei Tylevich
I had to redraw Futura as no current digital version matched the version used on the comic book. If you look closely, you’ll see subtle differences. See final image for the comparison.
The following is a collection of logos I've made over the course of my career.
This is a proposed and rejected logo for the Sony inFAMOUS videogame franchise.
Agency: Logan
Creative Director: Alexei Tylevich
A logo for the annual father/daughter car rally for National Charity League.
Title created for the sizzle reel for Snow White And The Huntsman while at Logan.
I was commissioned by The Refinery to create this logo for Netflix’s original series The Tidelands.
